Books:
Book Reviews:
Caroline Montague, “Review: Bauhaus Diaspora and Beyond,” Architecture Now, February 2020, https://architecturenow.co.nz/articles/review-bauhaus-diaspora-and-beyond/
Christopher Menz, “Beyond Bauhaus: Examining the Movement’s International Influence,” Australian Book Review, April 2020, 52.
“Chairs and Empty Huts: John Mateer on The Bauhaus Diaspora,” Sydney Review of Books, May 18, 2020, https://sydneyreviewofbooks.com/review/bauhaus-diaspora-beyond-goad-stephen-mcnamara-edquist-wunsche/
Book Reviews:
Иван Попов, ЕКСПРЕСИОНИЗМЪТ В ТРАНСНАЦИОНАЛЕН КОНТЕКСТ [Ivan Popov, Expressionism in a transnational context], ПРОБЛЕМИ НА ИЗКУСТВОТО: ТРИМЕСЕЧНО СПИСАНИЕ ЗА ТЕОРИЯ, ИСТОРИЯ И КРИТИКА НА ИЗКУСТВОТО / Art Studies Quarterly, Institute of Art Studies, Sofia, Vol. 52, No. 4 (2019): 59-60.
Book Reviews:
– Maria Silina, “Review of T. Malycheva and I. Wünsche, Marianne Werefkin and the Women Artists in Her Circle,” in H-Net, May 15, 2017, https://networks.h-net.org/node/10000/reviews/180026/silina-malycheva-and-w%C3%BCnsche-marianne-werefkin-and-women-artists-her
– Michalina Kmiecik, “Awangarda kobiet – ekspresjonistyczny krąg Marianne Werefkin,” Pamiętnik Literacki. Czasopismo kwartalne poświęcone historii i krytyce literatury polskiej, No. 3 (2019): 244-248.
Book Reviews:
– Natasha Kurchanova, “Review of Isabel Wünsche, The Organic School of the Russian Avant-garde: Nature’s Creative Principles,” in H-Net, June 27, 2016, https://networks.h-net.org/node/10000/reviews/132112/kurchanova-wu%CC%88nsche-organic-school-russian-avant-garde-natures
– Mira Kozhanova, “Isabel Wünsche: The Organic School of the Russian Avant-Garde,” Sehepunkte, Vol. 16, No. 12 (2016), http://www.sehepunkte.de/2016/12/28378.html
– John Milner, Book Reviews “The Organic School of the Russian Avant-garde: Nature’s Creative Principles by Isabel Wünsche,” Slavic Review, Vol. 76, No. 2 (Summer 2017): 567-569.
Book Reviews:
– Viola Hildebrand-Schat, “Isabel Wünsche, Kunst & Leben. Michail Matjuschin und die Russische Avantgarde in St. Petersburg,” Wiener Slawistischer Almanach, Vol. 79 (2017).
Book Reviews:
– Dominika Glogowski, Book Review Biocentrism and Modernism,” Germanoslavica, Vol. 24 (2013): 67-70.
– Charissa N. Terranova, “Review of Biocentrism and Modernism, ed. by Oliver A.I. Botar and Isabel Wünsche,” Leonardo, Vol. 50, No. 1 (2017): 103-105.
Book Reviews:
– Frank Kämpfer in Jahrbücher für Geschichte Osteuropas, Band 58 (2010) Heft 3, S. 471-471
http://www.oei-dokumente.de/JGO/Rez/Kaempfer_Wuensche_Harmonie_und_Synthese.html
– Nina Gourianova in THE STRUCTURIST, No. 49/50, 2009/2010
Book Reviews:
– Verena Krieger in sehepunkte 9, Nr. 10 http://www.sehepunkte.de/2009/10/13983.html
– Tanja Zimmermann in Osteuropa 9/2009
– John Milner and Eva-Viktoria Kwapil, Courtauld Institute of Art, London, in: Slavic Review.
– Interdisciplinary quarterly of Russian, Eurasian and East European studies, vol. 68, no. 2
– Frank Kämpfer in Jahrbücher für Geschichte Osteuropas, Band 58 (2010) Heft 3, S. 439-439
http://www.oei-dokumente.de/JGO/Rez/Kaempfer_Raev_Kursschwankungen.html
Isabel Wünsche, Galka E. Scheyer & The Blue Four: Correspondence 1924-1945, Berne: Benteli, 2006.
Isabel Wünsche, Galka E. Scheyer & Die Blaue Vier: Briefwechsel 1924-1945, Berne: Benteli, 2006.
Book Reviews:
– Patricia Railing in The Art Book, Volume 13, Issue 4, pages 26–27, November 2006
– Patricia Railing in THE STRUCTURIST, No. 47/48, 2007/2008, pp. 117-120.
– Adrienne Kochman in CENTROPA, Volume VIII, Number 1 (January 2008 )
Das Kunstkonzept der Organische Kultur in der Kunst der russischen Avantgarde, Dissertation Ruprecht-Karls-Universität Heidelberg, Ketsch: Microform Dissertation, 1997.
Book Chapters and Essays (Selection 2009-2019)
Harriet Edquist, Isabel Wünsche, “Textile Modernism in Australia: Assessing the Impact of Emigré Designer Gerard Herbst at the Prestige Textile Design Studio in Melbourne in the 1940s and 1950s,” in Textile Moderne/Textile Modernism, ed. Burcu Dogramaci, Köln/Wien: Böhlau 2019, pp. 383-396.
Revolutionary Alliances: The Russian Avant-garde and the Berlin Art Scene of the 1920s, in Europa Orientalis. Studies and Research on Eastern European Countries and Cultures, 2019, pp. 139-151.
Terra incognita? Die erste australische Bauhaus-Ausstellung 1961 in Melbourne, in Bauhaus ausstellen, ed. Franziska Bomski, Hellmut Th. Seemann, Thorsten Valk, Göttingen: Wallensteinverlag 2019 (Jahrbuch der Klassik Stiftung Weimar), pp. 219-238.
die abstrakten hannover – utopian designs for a new world, in Groups, Coteries, Circles and Guilds. Modernist Aesthetics and the Utopian Lure of Community, ed. Laura Scuriatti, Frankfurt Main: Peter Lang, pp. 225-247.
The Evolution of Abstract Painting: Ludwig Hirschfeld-Mack’s Coloured Light Plays, The Structurist, 51/52 (2018-2019): 87-98.
Die Novembergruppe schreibt absolute Filmgeschichte, in Freiheit: Die Kunst der Novembergruppe 1918-1935, exh. cat., Berlin: Berlinische Galerie, 2018, pp. 168-175.
“Der Absolute Film.” Matinee der Novembergruppe und Ludwig Hirschfeld-Macks Reflektorische Farbenspiele”, in Novembergruppe 1918: Studien zu einer interdisziplinären Kunst für die Weimarer Republik, ed. Nils Grosch, Münster: Waxmann, 2018 (Veröffentlichungen der Kurt-Weill-Gesellschaft Dessau Bd. 10), pp. 169-180.
Lebendigkeit und Unsterblichkeit in der Kunst der Organischen Schule der russischen Avantgarde, INTERJEKTE 12, 2018, pp. 25-32. http://www.zfl-berlin.org/publikationen-detail/items/unsterblichkeit.html
Expressionist Networks, Cultural Debates, and Artistic Practices: A Conceptual Introduction, in The Routledge Companion to Expressionism in a Transnational Context, ed. Isabel Wünsche, New York, London: Routledge, 2018, pp. 1-30.
Expressionist Networks in the Russian Empire, Soviet Russia, and the Soviet Union, in The Routledge Companion to Expressionism in a Transnational Context, ed. Isabel Wünsche, New York, London: Routledge, 2018, pp. 113-133.
Andrew McNamara, Ann Stephen und Isabel Wünsche, Refugees and émigrés to Australia, 1930-1950: Three cases of light, colour and material studies in the Antipodes under the shadow of fascism and war, in Migration Processes and Artistic Practices in Wartime, Lisbon: Artistic Studies Research Centre (CIEBA), Faculdade de Belas-Artes da Universidade de Lisboa, 2018, pp. 271-289.
Von der Metaphysik zur Psychophysik: Reflexionen zum Wesen des künstlerischen Schaffensprozesses in den kunsttheoretischen Schriften von Nikolaj Kulbin und Wassily Kandinsky, in Literatur und menschliches Wissen, ed. Helena Ulbrechtova, Frank Thomas Grub, Edgar Platen, Siegfried Ulbrecht, Berlin: Kulturverlag Kadmos, 2018, pp. 194-215.
Natural Phenomena and Universal Laws: The Organic School of the Russian Avant-garde, in Natural-Unnatural: Organicity and the Avant-garde, ed. Paulina Kurc-Maj und Aleksandra Jach, exh. cat., Lodz: Museum Sztuki, 2017, pp. 185-206.
Transgressing National Borders and Artistic Styles: The November Group and the International Avant-Garde in Berlin during the Interwar Period, in Art/Histories in Transcultural Dynamics, Late 19th to Early 21st Centuries, Munich: Wilhelm Fink, 2017, pp. 291-307.
Exile, the Avant-garde, and Dada: Women Artists Active in Switzerland during the First World War, in Marianne Werefkin and the Women Artists in her Circle, ed. Tanja Malycheva and Isabel Wünsche, Amsterdam: Rodopi 2016, pp. 48-67.
Wassily Kandinsky and František Kupka: Between Metaphysics and Psychophysics, in Practices of Abstract Art: Between Anarchism and Appropriation, ed. Isabel Wünsche and Wiebke Gronemeyer, Newcastle, UK: Cambridge Scholars Publishing, 2016, pp. 11-29.
California Modernism, European Émigré Artists, and the Summer Sessions at Mills College in Oakland, California, in Global Mobilities: Refugees, Exiles and Immigrants in Museums and Archives, ed. Amy Levin, London, New York: Routledge 2016, pp. 423-438.
From Vorkurs to vertikale Brigaden: Visual Arts Education at the Bauhaus, in Bauhaus – Networking Ideas and Practice (BAUNET), exh. cat., Zagreb: Museum of Contemporary Art, 2015 pp. 60-79.
Western Modernism at and beyond the Margins: František Kupka and Margaret Preston, in The Humanities between Global Integration and Cultural Diversity, ed. Hans Kippenberg and Birgit Mersmann, Berlin: De Gruyter, 2015, pp. 141-153.
Der Sturm und Die Abstrakten – Internationale Vereinigung der Expressionisten, Futuristen, Kubisten und Konstruktivisten e.V., in Der Sturm. Literatur, Musik, Graphik und die Vernetzung in der Zeit des Expressionismus, ed. Henriette Herwig und Andrea von Hülsen-Esch, Berlin: De Gruyter, 2015, pp. 356-375.
Elena Guro: On the Crossroads between Symbolism, Organicism and Cubo-Futurism, in International Yearbook of Futurism Studies, special issue Women Artists and Futurism, ed. Günter Berghaus, Berlin: De Gruyter, 2015, pp. 266-291.
Kunst und Revolution. Der Konstruktivismus und die Politik, in Rodtschenko. Eine neue Zeit, ed. Alla Chilova und Ortrud Westheider, Hamburg: Bucerius Kunst Forum; München: Hirmer, 2013, pp. 22-33.
The Evolution of Human Eyesight: Mikhail Matiushin’s Organic Culture in the Art of the Russian Avant-Garde, Australian and New Zealand Journal of Art (2012), pp. 25-41.
Life into Art: Nature Philosophy, the Life Sciences, and Abstract Art, in Meanings of Abstract Art: Between Nature and Theory, ed. Paul Crowther and Isabel Wünsche, London: Routledge, 2012, pp. 9-29.
Mills College, Oakland, California: Ein Liberal Arts College als Anlaufpunkt, Arbeitgeber und Vernetzungsort für Künstler und Kunsthistoriker an der Westküste, in Netzwerke des Exils. Künstlerische Verflechtungen, Austausch und Patronage nach 1933, ed. Burcu Dogramaci und Karin Wimmer, Berlin: Gebr. Mann, 2011, pp. 333-354.
Sammlerinnen im Dienste der Kunstvermittlung – Katherine S. Dreier, Galka E. Scheyer und Hilla von Rebay, in Geschmacks-geschichte(n). Öffentliches und privates Kunstsammeln in Deutschland 1871-1933, ed. Ulrike Wolff-Thomsen und Sven Kuhrau, Kiel: Ludwig, 2011, pp. 194-215.
Kasimir Malewitsch. Das Schwarze Quadrat, in Atlas der Weltbilder, ed. Jochen Brüning, Peter Deuflhard, Christoph Markschies, Berlin: Akademie-Verlag, 2011, pp. 354-365.
Seeing Sound—Hearing Colour: The Synaesthetic Experience in Russian Avant-Garde Art, in Music and Modernism, ed. Charlotte de Mille, Newcastle upon Tyne: Cambridge Scholars Publishing, 2011, pp. 95-120.
Organic Visions and Biological Models in Russian Avant-Garde Art, in Biocentrism and Modernism, ed. Oliver A. I. Botar and Isabel Wünsche, Farnham, UK: Ashgate, 2011, pp. 127-152.
From Cultural Provincialism to Art Establishment: The Silesia Artists’ Union in Breslau, Centropa, Vol. 11, No. 1 (January 2011), pp. 48-65.
In Pursuit of a Spiritual Calling: Katherine S. Dreier, Galka E. Scheyer, and Hilla von Rebay, in Gender, Sexuality and Museums: A Routledge Reader, ed. Amy K. Levin, London, New York: Routledge, 2010, pp. 213-228.
Living Crystals: The Roots of Mikhail Matyushin’s Spatial Realism, The Structurist, 49/50 (2009-2010), pp. 51-57.
Wassily Kandinsky und František Kupka. Alternativen zum Kubismus, in Die Ost-West-Problematik in den europäischen Kulturen und Literaturen. Ausgewählte Aspekte, Prag: Akademie der Wissenschaften, Dresden: Neisse Verlag, 2009, pp. 205-227.